Finns and Finnish-Americans in a cult classic videogame franchise.

No­wa­da­ys Fin­land is known as a ma­jor pla­yer in the glo­bal ga­ming in­dust­ry. Over the past two de­ca­des, many suc­ces­s­ful vi­de­o­ga­mes and mo­bi­le ga­mes have been de­ve­lo­ped there. One of Fin­nish ga­ming po­wer­hou­ses is Re­me­dy En­ter­tain­ment Plc es­tab­lis­hed in 1995 and lo­ca­ted in Es­poo. Those, who study the Fin­nish-Ame­ri­can com­mu­ni­ty or are in one or anot­her way con­nec­ted with Fin­nish im­mig­ra­ti­on to the US, per­haps will be in­te­res­ted in one of Re­me­dy’s glo­bal­ly ac­c­lai­med vi­de­o­ga­me se­ries. 

 The Alan Wake franc­hi­se con­sists of Alan Wake (2010), Alan Wake’s Ame­ri­can Night­ma­re (2012), Cont­rol (2019) and Alan Wake 2 (2023). They are all uni­ted by the same ove­rarc­hing hor­ror-thril­ler plot­li­ne of su­per­na­tu­ral events, sec­ret go­vern­ment or­ga­ni­za­ti­ons, and small Ame­ri­can towns with si­nis­ter sec­rets. Any­bo­dy who have watc­hed the po­pu­lar 1990s TV se­ries Twin Pe­aks, Psi Fac­tor and The X-Fi­les or read the books by Step­hen King will get the vibe. The ti­tu­lar Alan Wake, a crime no­ve­list from NYC, vi­sits the fic­ti­o­nal town of Bright Fal­ls in ru­ral Was­hing­ton. His pe­a­ce­ful va­ca­ti­on quick­ly turns in­to a night­ma­re as mys­te­ri­ous Cauld­ron Lake near the town is a home to great po­wer and great threat which Alan is for­ced to clash with. What is par­ti­cu­lar­ly im­por­tant and dis­tinc­ti­ve about this plot­li­ne, ho­we­ver, is a pro­mi­nent po­si­ti­on that Fin­ns and Fin­nish-Ame­ri­cans play in the nar­ra­ti­ve-dri­ven sus­pen­se story. 

From a missing filmmaker to a sea deity-plus-janitor in the US federal service 

 Va­ri­ous Fin­nish-re­la­ted to­pics are fe­a­tu­red no­ti­ce­ab­ly in the Alan Wake ga­mes. Even the pro­ta­go­nist’s own ap­pe­a­ran­ce is mo­de­led af­ter Fin­nish ac­tor and wri­ter Ilk­ka Vil­li. Be­si­des, in his fight against the po­wers of Cauld­ron Lake Alan fa­ces se­ve­ral Fin­nish and Fin­nish-Ame­ri­cans who are ma­jor cha­rac­ters in the plot. In the very first ent­ry, Wake meets anot­her pri­so­ner of the lake – Fin­nish au­teur film­ma­ker and poet Tho­mas Zane (born Tho­mas Sei­ne) who came to Bright Fal­ls to es­tab­lish an ar­tist com­mu­ne and went mis­sing there in the 1960s. A fel­low wri­ter and a kind­red spi­rit iden­ti­cal to Wake in many ways, Zane-Sei­ne be­co­mes his gui­de through the dan­ge­rous sur­re­a­list world un­der Cauld­ron Lake where writ­ten words and ot­her works of art can warp and chan­ge re­a­li­ty.  

The third game in the se­ries, Cont­rol, int­ro­du­ces a fic­ti­o­nal clan­des­ti­ne US go­vern­ment or­ga­ni­za­ti­on, the Fe­de­ral Bu­re­au of Cont­rol (FBC) which seeks to in­ves­ti­ga­te and con­tain pa­ra­nor­mal phe­no­me­na like those Alan Wake has to deal with. Re­mar­kab­ly, there is a Fin­nish-Ame­ri­can among their staff who is a cru­ci­al cha­rac­ter in the story. The el­der­ly man na­med Ah­ti (his ap­pe­a­ran­ce is mo­de­led af­ter Fin­nish ac­tor and sin­ger Mart­ti Suo­sa­lo) is a mere ja­ni­tor, yet this mys­te­ri­ous per­son has been in the Bu­re­au sin­ce the very be­gin­ning and in his know­led­ge of the pa­ra­nor­mal he sur­pas­ses any spe­ci­al agents of the FBC. It is strong­ly imp­lied that Ah­ti is ac­tu­al­ly one of the kee­pers of the Bu­re­au alt­hough he may look like a so­mew­hat of­f­be­at per­son who sprink­les his speech with Fin­nish words and idi­oms or their li­te­ral trans­la­ti­ons in­to Eng­lish. Lit­t­le is known about Ah­ti’s ori­gin but gi­ven in Fin­nish myt­ho­lo­gy and na­ti­o­nal epic Ka­le­va­la the na­mes Ah­ti and Ah­to are born by a he­roic se­a­going war­ri­or and even a Fin­nish sea dei­ty, this can tell you so­met­hing. When this enig­ma­tic ja­ni­tor goes on va­ca­ti­on, he opens up a bit about his home in Ame­ri­ca by sen­ding a post­card from Wa­te­ry, anot­her fic­ti­o­nal lo­ca­ti­on in ru­ral Was­hing­ton, a small Fin­nish-Ame­ri­can com­mu­ni­ty (it will be told about in more de­tail in the sec­ti­on be­low). On the post­card from this “Ame­ri­ca’s Lit­t­le Fin­land”, there are sau­nas and tra­di­ti­o­nal Ju­han­nus or Mid­sum­mer bon­fi­res on the shore of a lake. So it looks like even Fin­nish myt­ho­lo­gi­cal dei­ties and he­ro­es have ta­ken part in the mass mig­ra­ti­on from Fin­land to North Ame­ri­ca in the 20th cen­tu­ry and in en­roo­ting and per­pe­tu­a­ting Fin­nish cul­tu­re in the new count­ry. 

 The fi­nal ent­ry, Alan Wake 2, brings a pla­yer to this “Lit­t­le Fin­land” and al­lows them to get fa­mi­li­ar with some co­lor­ful re­si­dents of the Fin­nish-Ame­ri­can com­mu­ni­ty. The im­por­tant cha­rac­ters are Kos­ke­la brot­hers, Il­mo and Jaak­ko (both are pla­yed by Fin­nish ac­tor and screenw­ri­ter Pe­ter Franzén, best known for his role as Nor­we­gi­an king Ha­rald Fi­ne­hair in the his­to­ri­cal drama TV se­ries Vi­kings), a duo of shady bu­si­nes­s­men and bi­kers of the fic­ti­ti­ous lo­cal-ba­sed Ka­le­va­la Knights Mo­tor­cyc­le Club. Am­bi­ti­ous, loud and jo­vi­al Il­mo and qui­et stone-fa­ced Jaak­ko may look like a pair of back­count­ry doo­fu­ses but there is more to these twins than meets the eye. They are inf­lu­en­ti­al fi­gu­res in the re­gi­on and have the nob­le in­ten­ti­ons of sa­ving their home town which is slow­ly dying-out. To re­vi­ta­li­ze Wa­te­ry, the high­ly ent­rep­re­neu­ri­al brot­hers seek to lure tou­rists there by a num­ber of their pro­ducts and at­t­rac­ti­ons (and their hi­la­ri­ous low-bud­get hu­mo­rous ad­ver­ti­se­ments!), many of which are Fin­nish-the­med. One examp­le is the fic­ti­ti­ous lo­cal Ah­ma (“wol­ve­ri­ne” in Fin­nish) sau­na la­ger which al­le­ged­ly helps to “un­le­ash yo­ur in­ner wol­ve­ri­ne” and has a se­ries of sug­ges­ti­ons on how to “drink it the Fin­nish way” inc­lu­ding kal­sa­ri­kän­nit or the Fin­nish ha­bit of drin­king at home in yo­ur un­der­we­ar. There is al­so a more se­ri­ous side of Kos­ke­la brot­hers. Il­mo and Jaak­ko know about the threat of Cauld­ron Lake and are sec­ret­ly in­vol­ved in figh­ting against its evil for­ces. 

All in all, these Fin­nish and Fin­nish-Ame­ri­can cha­rac­ters in the Alan Wake franc­hi­se are all lo­vab­le and have depths. So­me­ti­mes there is kind ton­gue-in-cheek hu­mor in their port­ra­yal. Fin­ns and Fin­nish­ness are ne­at­ly wo­ven in­to the ex­cel­lent wri­ting of the ga­mes and blend se­am­les­s­ly in­to the thril­ling story.  

The fictional town of Watery was founded in 1891 by Finnish immigrants to support the logging and fishing industries in the area.

The fictional town of Watery was founded in 1891 by Finnish immigrants to support the logging and fishing industries in the area.

 

Not quite fictitious “America’s Little Finland” in WA 

 In the fi­nal ent­ry of the franc­hi­se, a great deal of the ac­ti­on ta­kes place in the fic­ti­o­nal lo­ca­ti­on of Wa­te­ry, WA which is a Fin­n­town, an eth­nic com­mu­ni­ty with va­ri­ous Fin­nish-Ame­ri­can bu­si­nes­ses and ac­ti­vi­ties. In real life, many such Fin­n­towns were es­tab­lis­hed in the late 19th and ear­ly 20th cen­tu­ries by Fin­nish im­mig­rants throug­hout North Ame­ri­ca to stick to­get­her in not al­wa­ys friend­ly host so­cie­ty. Some can still be seen in the US and Ca­na­da. Ac­cor­ding to the game lore, Wa­te­ry was foun­ded in 1891 by new­co­mers from Fin­land around lo­cal log­ging and fis­hing in­dust­ries. Ho­we­ver, by the events of Alan Wake 2 set in 2023 the com­mu­ni­ty has been struck hard with eco­no­mic prob­lems and Wa­te­ry is slow­ly be­co­ming a ghost town. On­ly the most stub­born part of its in­ha­bi­tants still stays around. Sisu or Fin­nish grit, as these lo­cals exp­lain their choi­ce. 

Fin­nish­ness can still be seen on the streets of Wa­te­ry which has eve­ryt­hing the real-world Fin­n­towns usu­al­ly have. There is Suo­mi Hall, an old-time Finn Hall, a cen­ter for gat­he­ring to­get­her and or­ga­ni­zing va­ri­ous ac­ti­vi­ties which ty­pi­cal­ly used to be a he­art of a Fin­n­town. Wa­te­ry’s Finn Hall has nu­me­rous pla­qu­es in Fin­nish and pos­ters of dif­fe­rent lo­cal events such as raf­f­les with Fin­nish foods and drinks glögi, kor­va­puus­ti and kar­ja­lan­pii­rak­ka.  In the town, there are sau­nas and log ca­bins as well as Fin­nish-Ame­ri­can bu­si­nes­ses and es­tab­lish­ments like the Ka­le­va­la Knights mo­tor­cyc­le club, Jär­vi­sen Vene Boat Sto­ra­ge and Re­pair, and Sai­mi’s Catch of the Day. Any­bo­dy who has ever vi­si­ted a real Fin­n­town such as, for ins­tan­ce, Han­cock, Mic­hi­gan will find many fa­mi­li­ar things in Wa­te­ry. 

This fic­ti­ti­ous com­mu­ni­ty draws at­ten­ti­on to Fin­nish-Ame­ri­can pre­sen­ce in the Pa­ci­fic North­west. Alt­hough no­wa­da­ys “Lit­t­le Fin­lands”, on­ce scat­te­red throug­hout the US, are more of­ten seen in such area of Fin­nish con­cent­ra­ti­on as the Up­per Mid­west, the Pa­ci­fic North­west has al­so pla­yed an im­por­tant role in the his­to­ry of Fin­nish mig­ra­ti­on to the US. In such com­mu­ni­ties as As­to­ria, Ore­gon, or Na­sel­le, Was­hing­ton, Fin­nish­ness can still be met even to­day. Lo­cal place na­mes like Ing­le­wood-Finn Hill or Wirk­ka­la, Par­pa­la and Torp­pa Ro­ads show that Fin­ns have be­co­me en­roo­ted in Was­hing­ton. Fin­nish Ame­ri­can folk fes­ti­val in Na­sel­le still brings nu­me­rous par­ti­ci­pants to ce­leb­ra­te the Fin­nish he­ri­ta­ge of the re­gi­on. The re­cent no­vel Deep Ri­ver (2019) by New York Ti­mes best­sel­ling aut­hor Karl Mar­lan­tes, who has Fin­nish roots, pays tri­bu­te to the his­to­ry of Fin­nish im­mig­rants in Was­hing­ton. I am glad that Re­me­dy’s Alan Wake franc­hi­se al­so does its part in ce­leb­ra­ting Fin­nish-Ame­ri­cans in the Pa­ci­fic North­west. For the first time in their his­to­ry, Fin­nish-Ame­ri­cans and their cul­tu­re have been fe­a­tu­red in a vi­de­o­ga­me. I hope that there will be more ga­mes and ot­her new me­dia tel­ling about this in­te­res­ting but of­ten neg­lec­ted eth­no­cul­tu­ral group in the US. So far thank you Re­me­dy! 

*** 

Ro­man Kush­nir, PhD., has gra­du­a­ted from the Uni­ver­si­ty of Jy­väs­ky­lä and is cur­rent­ly an in­de­pen­dent scho­lar. His re­se­arch in­te­rests inc­lu­de Nor­dic-Ame­ri­can cul­tu­res and li­te­ra­tu­res, and eth­nic and iden­ti­ty stu­dies in the con­text of North Ame­ri­ca. Kush­nir’s doc­to­ral dis­ser­ta­ti­on exa­mi­nes the pro­ces­ses of iden­ti­ty const­ruc­ti­on as rep­re­sen­ted in Fin­nish-Ame­ri­can li­te­ra­tu­re and par­ti­cu­lar­ly fo­cu­ses on the ro­les of se­ve­ral ma­te­ri­al and non-ma­te­ri­al cul­tu­ral prac­ti­ces (food, lan­gu­a­ge, sports and mu­sic) in this const­ruc­ti­on.